James Webb, Palestine, “Waste Canvas”, and What We Think We Know

It’s a rainy November Saturday. My husband and I decided to spend part of the morning sharing what we were watching or listening to. I shared a podcast episode from the Ezra Klein show. The web page describes the episode thus:

“This is a conversation about the relationship between Jewishness and the Jewish State. About believing some aspects of Israel have become indefensible and also believing that Israel itself must be defended. About what it means when a religion built on the lessons of exile creates a state that inflicts exile on others. About the ugly, recurrent reality of antisemitism.”

I have listened to this twice now. Ezra Klein interviews Rabbi Sharon Brous regarding her September 25, 2023 sermon, which predates the horrors of the current war in Israel and Palestine, by a matter of days. In the interview, she explains how what we think we know is based more on our own experience than on any continuing solid fact, how American Jews are keenly feeling their kinship to Israeli Jews, how antisemitism has touched them in places they had previously felt were safe.

And for her, as for me, comes the uncomfortable awareness that the ancient scriptures say to love your neighbour. For a people whose religion is founded on the story of exile to be exiling and harming those very neighbours … well, as she says, right now they are grieving. Right now they are terrified. But that does not negate the foundations of their faith; it only highlights the ethics, the paradox, the hard hard questions.

After that, we watched a video about the James Webb telescope, and how the newest views of Deep Space question the idea of the Big Bang, because the telescope has found galaxies and star systems that were fully formed far too soon. This, the video says, is like looking at a photo of someone you know should have been a baby at the time of the photo, only to learn that person was already adult when the photo was taken.

Our ideas of what the universe looks like have changed so much since Einstein. Now, for most of us, what we learned since then feels like fact, rather than theory. But, again, what we think we know to be true may not be true at all.

As we watched and listened, I was stitching on a project I’ve be working on for a year. I have inherited yarns, embroidery floss, aida cloth, and hoops of all sizes. Wanting a tiny portable project, I dug into my supplies, and began a freestyle piece based on what I found there, with no pattern beyond the developing picture in my imagination. By spring, the tree was complete, and strand by strand, the morning sun brightened the sky into dawn.

I have long used craft work to focus my mind — embroidering through high school classes and irritating university professors with the click click of my knitting needles. One day this spring, I was stitching away at a meeting, when a woman commented that I was using “waste canvas.” Pardon me? What did you say?

Waste canvas, she explained, is used when one wants to cross stitch onto regular fabric. You stitch through both the canvas and the garment, for example, and then remove the waste canvas by washing the item. “If you wash that,” she said, pointing to my beautiful creation, “all that will be left will be a tangle of string!”

She knew it was Waste Canvas because of the blue lines. I hadn’t cared about the blue counting lines because I planned to cover every inch with colour. No blue would show. I’d never heard of “waste” canvas. My heart sank. I was faced with the choice of tossing the whole thing, or continuing, knowing what I now knew. Since then I have been vigilant, protective of this vulnerable piece of art.

Today, as I listened and stitched, I thought about how so many things we think are true just aren’t. Rabbi Brous expresses the conflict I too feel about Israel becoming the oppressor, but she holds a depth of historical trauma that I will never experience. Potato famine is nothing by comparison. I listened and stitched, and felt these words rising. What else in my world is not as I believed? What “truths” are morphing into new realizations with each new day?

From a war on the other side of the world, to the far distant beginnings of the Universe, so many things become other than we expected when we look more closely. And so it is, regarding Waste Canvas. Turns out, the woven strings of the canvas don’t actually dissolve. The warp and woof of the material is made sturdy by a dissolvable glue. Once wet, the strings can be pulled away with tweezers, an exacting and exhausting task.

There’s no way that my piece will become a tangle of colourful thread. The glue may be gone, but the stitches are so dense that nothing could pull it apart. At least that’s the story as I understand it now. But with reality tending to dissolve on closer inspection, one never knows for sure.

Black Ash Baskets

“It’s not enough to simply find black ash; it has to be the right one – a tree ready to be a basket…. Trees are not taken, but requested. Respectfully, the cutter explains his purpose and the tree is asked permission for the harvest. Sometimes the answer is no…. If consent is granted, a prayer is made and tobacco is left as a reciprocating gift.”

If I were a black ash, the answer has been no. Just no. And yet there has been a theme of late, of letting go. The moon, the planets, the time of life. Let go.

No! Or, why? Mostly why. The Cutter has asked permission to cut, without explaining the purpose. Does not Creator know that asking permission includes explanation? And so, my Heart, my Soul, my Tree Self has said no, again and again until today.

This is the week of New Moon in Scorpio…. after months of messages of a Great Let Go. My Tree Self waits, expectant – but no explanation, until today. There’s something about today….

Today my shoulder blade said, Let go. You are shouldering too much. Let go. Today my reflexologist said there’s a lot going on in your solar plexus, your heart and your throat. Today I drew a card, her gift to me – “I surrender it all.” I gesture toward my solar plexus. My solar plexus winks. Today I draw another card, as I usually do, and usually the message of the second card seems unrelated. Not today – today I draw, “Let it go.”

“Tell me, Creator! Tell me! Let go of what?!”

I drive away, holding that question, waiting, wondering. Will Creator answer? I drive, listening to Robin Wall Kimmerer’s audiobook, Braiding Sweetgrass. The cadence of her voice, the poetry of her words, pull me into the story. She has been to see John Pidgeon, renowned basket maker, for lessons in basket making. She explains that John does not teach basket weaving, with piles of splints supplied and ready. No, “he teaches basket making, beginning with the living tree.”

Choosing the tree, straight and strong. The asking. The consent. The cutting. The carrying home. The pounding. And then the stripping. “The tree’s life is coming off in his hands, layer by layer…. He gestures to the big pile of splint we’ve accumulated. ‘Don’t ever forget that. It’s the whole life of that tree you’ve got piled up there.”

I hear Creator’s voice. “I want to cut you and strip you and make you into baskets. Are you willing?” I see strips of my life peeled off, woven into baskets of words. My whole life piled up. Am I willing? This time, I answer, “Yes!”

  1. Wall Kimmerer, Robin. Braiding Sweetgrass. Minneapolis: Milkweed Editions, p. 143-144.
  2. Ibid., p. 143.
  3. Ibid., p. 145.

On the Threshold of the Unknown

I love this post from the Centre for Action and Contemplation.

We are all in a place of transition, whether we realize it or not. We all stand on a threshold not knowing what is on the other side of this door that is opening in our lives. Every one of us stands with our hand on the door knob.

Sometimes we are holding that door shut with all our strength and intention, but the door will not stay closed. The door will swing open by the wind of Spirit, and each of us will be swept into the Unknown. It’s scary here on the edge of the Unknown. But we will be held through it all, if we allow ourselves to be held. 🫶

Dad’s Grounding

For thousands of years, eclipses have been harbingers of chaos. Today, on the morning of the full moon, the lunar eclipse, and the American midterm election, I woke with a flash of dream: A card, white background, with enough of a green pattern that I thought of an Irish knot, and the words, in gold, “Dad’s Grounding.”

I didn’t realize the word “grounding” had so many meanings: a discipline for children, connecting to the ground for health benefits, the background for needlework, a foundation, instruction in basic concepts, finding a basis, becoming fully conscious after a psychedelic experience, a ship’s collision with the sea bottom, government action that keeps planes on the ground, connecting electrical systems to the ground, visualizing “roots” into the earth to absorb energy, techniques to bring the mind back to the moment.

But what of “Dad’s Grounding”? My Daddy’s grounding was with the soil and with the Presence of the Holy. That was the Irish Knot that held him firm and secure in the storms of life. Many a time I would hear his voice traveling across the field as he worked the farm, lifted up in songs like “Blessed Assurance,” “Trust and Obey,” and “Will Your Anchor Hold?”

Eclipses warn us to expect the unexpected. When we expect to be knocked off balance, we broaden our stance, feet apart, ready, whether we are in a subway train, a full city bus, a boat in a storm, when facing a fight, or even with toddlers and puppies underfoot. Regardless of the results of American elections, results that the whole world is awaiting, we can ground into the soil and into the Sacred. Dad’s Grounding will hold us. Anchor deep.